It was through covering this song that I began to appreciate it more. I've always considered it a bit of a lost song on Murmur, a less than spectacular ending to a classic debut album. But it's actually got a really dark energy. I've always been struck by the sense of foreboding as the final chord fades away accompanied by the eerie organs.
It's also quite a tour de force instrumentally, showcasing Berry, Buck and Mills at their best: An inventive, ever-changing drum performance from Bill Berry, a lively bass line from Mike Mills and choppy, energetic chords from Peter Buck.
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